The Teaching of Hazrat Inayat Khan      



Social Gathekas

Religious Gathekas

The Message Papers

The Healing Papers

Vol. 1, The Way of Illumination

Vol. 1, The Inner Life

Vol. 1, The Soul, Whence And Whither?

Vol. 1, The Purpose of Life

Vol. 2, The Mysticism of Sound and Music

Vol. 2, The Mysticism of Sound

Vol. 2, Cosmic Language

Vol. 2, The Power of the Word

Vol. 3, Education

Vol. 3, Life's Creative Forces: Rasa Shastra

Vol. 3, Character and Personality

Vol. 4, Healing And The Mind World

Vol. 4, Mental Purification

Vol. 4, The Mind-World

Vol. 5, A Sufi Message Of Spiritual Liberty

Vol. 5, Aqibat, Life After Death

Vol. 5, The Phenomenon of the Soul

Vol. 5, Love, Human and Divine

Vol. 5, Pearls from the Ocean Unseen

Vol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of Existence

Vol. 6, The Alchemy of Happiness

Vol. 7, In an Eastern Rose Garden

Vol. 8, Health and Order of Body and Mind

Vol. 8, The Privilege of Being Human

Vol. 8a, Sufi Teachings

Vol. 9, The Unity of Religious Ideals

Vol. 10, Sufi Mysticism

Vol. 10, The Path of Initiation and Discipleship

Vol. 10, Sufi Poetry

Vol. 10, Art: Yesterday, Today, and Tomorrow

Vol. 10, The Problem of the Day

Vol. 11, Philosophy

Vol. 11, Psychology

Vol. 11, Mysticism in Life

Vol. 12, The Vision of God and Man

Vol. 12, Confessions: Autobiographical Essays of Hazat Inayat Khan

Vol. 12, Four Plays

Vol. 13, Gathas

Vol. 14, The Smiling Forehead

By Date



1. Music

2. Esoteric Music

3. The Music of the Spheres

4. The Mysticism of Sound

5. The Mystery of Sound

6. The Mystery of Color and Sound

7. The Spiritual Significance of Color and Sound

8. The Ancient Music

9. The Divinity of Indian Music

10. The Use Made of Music by the Sufis of the Chishti Order

11. The Use Made of Music by the Dancing Dervishes

12. The Science and Art of Hindu Music

13. The Connection Between Dance and Music

14. Rhythm

15. The Vina

16. The Manifestation of Sound on the Physical Sphere

17. The Effect of Sound on the Physical Body

18. The Voice

19. The Influence of Music upon the Character of Man

20. The Psychological Influence of Music

21. The Healing Power of Music

22. Spiritual Attainment by the Aid of Music




Vol. 2, The Mysticism of Sound and Music

9. The Divinity of Indian Music

In India life begins with the soul; therefore science, art, philosophy, mysticism - all were directed to one and the same goal. Not only arts and sciences, but even professions and commerce were not without a religious view. One can imagine how, in a country where even business and profession had a spiritual view, the musician's life was full of religious thought.

No part of the world, East or West, can deny the divinity of music. In the first place music is the language of the soul, and for two people of different nations or races to unite there is no better source than music. For music not only unites man to man, but man to God.

Now the question comes: When is it that music unites man with God, and how? Belief in God has two aspects. One belief in God is that a person thinks: "Perhaps there is a God", or: "As others believe, I believe too." He does not know God by reason, nor does he see God before him. God for him is perhaps in heaven. Whether He exists or does not exist, he does not know. From one who has this kind of belief a little confusion or disappointment or injustice takes away his belief in God, and it is for this reason that thousands and thousands of men who worshipped God gave up their belief in God.

There is another aspect of belief, and that belief is the realization of God's presence, not only in the heavens, but in one's own surroundings. When a person arrives at this point his belief becomes a living entity. To him God is not only a judge or a sustainer, to him He is a friend - a friend who hears the cry of his soul in the solitude and knows the best and greatest secret he has in his heart, a friend upon whom he can always rely in good and bad experiences, and even in the hereafter. For a musician music is the best way to unite with God. A musician with a belief in God brings to God the beauty and the perfume and the color of his soul.

From the metaphysical point of view there is nothing that can touch the Formless except that art of music which in itself is formless. There is another point of view: that the innermost being of man is the akasha, which means capacity. Therefore all that is directed within from the external world, can reach this realm, and music can reach it still more. A third point of view is that the creation has come from vibrations, which the Hindus have called nada. In the Bible we find it as the word which was first. On this point all the different religions unite. It is therefore that man loves music more than anything else. Music is his nature; it has come from vibrations, and he himself is vibration.

There are two aspects of life: the first is that man is tuned by his surroundings, and the second is that man can tune himself in spite of his surroundings. This latter is the work of the mystic. The Sufis in the East work for years together to tune themselves. By the help of music they tune themselves to the spheres where they wish to be. The Yogis do the same. Therefore the beginning of music in India was at the time of Shiva, Lord of the Yogis. This great Yogi teacher taught to the world the science of breath. Among the Sufis there was a great saint, Moin-ud-Din Chishti of Ajmer. At his grave music is played and Hindus and Moslems go there on pilgrimage. This shows that the religion of the knowers of truth is the religion of God, and the prayer of the greatest devotee rises from his heart in the realm of music. All different methods of bringing about calm and peace can be attained through the help of music.