For instance, the Taj Mahal, the great building at Agra, is said to be the token of the love that the emperor bad for his beloved. At the same time, when one looks at it objectively, one cannot call it an expression of love; one would sooner call it a phenomenon of will. For the beginning of the building at least, one may look at the spirit, the impulse which started it, as a phenomenon of the emperor's will; after it was finished one can say it was the expression of his love.