The Teaching of Hazrat Inayat Khan
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Volume SayingsSocial GathekasReligious GathekasThe Message PapersThe Healing PapersVol. 1, The Way of IlluminationVol. 1, The Inner LifeVol. 1, The Soul, Whence And Whither?Vol. 1, The Purpose of LifeVol. 2, The Mysticism of Sound and MusicVol. 2, The Mysticism of SoundVol. 2, Cosmic LanguageVol. 2, The Power of the WordVol. 3, EducationVol. 3, Life's Creative Forces: Rasa ShastraVol. 3, Character and PersonalityVol. 4, Healing And The Mind WorldVol. 4, Mental PurificationVol. 4, The Mind-WorldVol. 5, A Sufi Message Of Spiritual LibertyVol. 5, Aqibat, Life After DeathVol. 5, The Phenomenon of the SoulVol. 5, Love, Human and DivineVol. 5, Pearls from the Ocean UnseenVol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of ExistenceVol. 6, The Alchemy of HappinessVol. 7, In an Eastern Rose GardenVol. 8, Health and Order of Body and MindVol. 8, The Privilege of Being HumanVol. 8a, Sufi TeachingsVol. 9, The Unity of Religious IdealsVol. 10, Sufi MysticismVol. 10, The Path of Initiation and DiscipleshipVol. 10, Sufi PoetryVol. 10, Art: Yesterday, Today, and TomorrowVol. 10, The Problem of the DayVol. 11, PhilosophyVol. 11, PsychologyVol. 11, Mysticism in LifeVol. 12, The Vision of God and ManVol. 12, Confessions: Autobiographical Essays of Hazat Inayat KhanVol. 12, Four PlaysVol. 13, GathasVol. 14, The Smiling ForeheadBy DateTHE SUPPLEMENTARY PAPERS | Heading 1. Sex2. Half-Bodies3. Attraction and Repulsion4. On Some Ideals5. Types of Lovers6. The Character of the BelovedFour Types of Women7. Modesty8. The Awakening of Youth9. Courtship10. Chivalry11. Marriage12. Beauty13. Passion14. Celibacy15. Monogamy15. Pologamy17. Perversion18. Prostitution |
Sub-Heading -ALL- |
Vol. 3, Life's Creative Forces: Rasa Shastra1. SexSex is a direction. Two is a part of one, growing out of one. As the conductor guides the music, each movement of his baton demands a second movement; a single motion is not possible. A single stroke has no meaning; but as soon as there is a second motion, then the rhythm of the music begins and wins even the hearts of children. In the same way every single expression of activity reveals two aspects or directions of the same action; and these may be distinguished from each other as its positive and negative aspects. The Supreme Intelligence, which is the source of this world of variety, works through numberless paths and channels. Every channel it takes must necessarily be but a limited expression of itself; but it is humanity that has been considered by the wise of all ages to be its clearest and final expression. As it is written in the Semitic tradition, man was created last and "in His own image." Think of human intelligence. The tendency of human intelligence is to limit. From the hosts of ideas that come to him, man must select; he can only follow one path at a time. As man advances along his chosen path, he finds that it branches right and left; and ever and again he must make a fresh choice. His life may be called an unending choice; and his limitations make him what he is. He must choose his house and a room in his house; he attaches himself to a certain community and to a certain faith. He says, "I am a Christian, an Englishman, a Londoner, an inventor", and so on, as he names qualities and details which in his own opinion constitute his individual self. By his habit of mind he is inclined to begin by looking first at the smallest and most limited aspects of himself. How does man create his life? Firstly, he sees an object, and then, inspired by that object he moves on to further creation. He plans a picture, and as he works at it the picture itself suggests further developments to him. He paints and looks and is pleased; and then he begins anew. Thus his intelligence works its way out. And every act of his life, as he thus works his way, shows these same two aspects or directions, one expressive, the other responsive. It is through the reciprocal action of these two factors that each of his activities advances towards perfection. In this same way the Supreme Intelligence seems to create its design, inspired by its own activity as is the artist by his picture; and this shows that its very nature is such that it must forever be advancing, breaking a way and hewing out a means by which to express itself. And its every activity shows two aspects, two directions, which balance and complete each other, giving light and shade to the picture, giving rhythm to the music, developing the vision of perfection. |