The Teaching of Hazrat Inayat Khan      

Volume

Sayings

Social Gathekas

Religious Gathekas

The Message Papers

The Healing Papers

Vol. 1, The Way of Illumination

Vol. 1, The Inner Life

Vol. 1, The Soul, Whence And Whither?

Vol. 1, The Purpose of Life

Vol. 2, The Mysticism of Sound and Music

Vol. 2, The Mysticism of Sound

Vol. 2, Cosmic Language

Vol. 2, The Power of the Word

Vol. 3, Education

Vol. 3, Life's Creative Forces: Rasa Shastra

Vol. 3, Character and Personality

Vol. 4, Healing And The Mind World

Vol. 4, Mental Purification

Vol. 4, The Mind-World

Vol. 5, A Sufi Message Of Spiritual Liberty

Vol. 5, Aqibat, Life After Death

Vol. 5, The Phenomenon of the Soul

Vol. 5, Love, Human and Divine

Vol. 5, Pearls from the Ocean Unseen

Vol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of Existence

Vol. 6, The Alchemy of Happiness

Vol. 7, In an Eastern Rose Garden

Vol. 8, Health and Order of Body and Mind

Vol. 8, The Privilege of Being Human

Vol. 8a, Sufi Teachings

Vol. 9, The Unity of Religious Ideals

Vol. 10, Sufi Mysticism

Vol. 10, The Path of Initiation and Discipleship

Vol. 10, Sufi Poetry

Vol. 10, Art: Yesterday, Today, and Tomorrow

Vol. 10, The Problem of the Day

Vol. 11, Philosophy

Vol. 11, Psychology

Vol. 11, Mysticism in Life

Vol. 12, The Vision of God and Man

Vol. 12, Confessions: Autobiographical Essays of Hazat Inayat Khan

Vol. 12, Four Plays

Vol. 13, Gathas

Vol. 14, The Smiling Forehead

By Date

THE SUPPLEMENTARY PAPERS

Heading

1,1: Magnetism

1,4: Insight

1,5: Spirit

1,6: Purity

2,1: Breath

2,2: the Spirit In the Flesh

Sub-Heading

-ALL-

1: Safa

2: Tat Tvam Asi

3: The Glance of the Seer

4: Divine Evidence

5: Openness

6: Movement (1)

7: Movement (2)

8: The Study of the Whole

9: The Mystery of Expression

10: Different Qualities of Mind

11: The Reproduction of the Mental Record

12: Impression

13: The Balance of Life

14: The Language of the Mind

15: The Influence of Experience

16: Intuition

17: Evidence of the Thought

18: The Activity of the Mind

19: Likes and Dislikes

20: Viprit Karnai

21: Reason Is Earth-born

22: The Word and the Idea

23: The Expression and the Idea

24: The Power of Words

25: The Re-echo of the Past

26: Interest in All Things

27: Vairagya

28: A Silent Music

29: Three Ways to Develop Insight

30: Tranquility

The Healing Papers

1,4: Insight

20: Viprit Karnai

In man's speech and in his action the seer sees designs: a straight line, a round, a crooked line, zigzag, oval, square, a triangle. For instance there is a person who speaks straight to the face of all he feels. There is another person who proceeds in a roundabout way. There is a person who has a crooked way of mentioning a thing. There is a person who will touch two opposite angles before he will arrive at a desired point. There is another person who will go about in a zigzag way, you can't know whether he is going to the south or to the north until he has arrived at a certain point. These figures represent the lines on the mind of man. Man does not feel comfortable in acting differently from the lines already engraved upon his mind. Therefore, a crooked person enjoys his crookedness as much as a straightforward person enjoys his straightforwardness.

A most interesting study of this subject can be made by studying the art of different ages and of different nations. Every nation has its typical lines and typical forms. Every period shows the peculiarity of expression of the art of that period. So one finds in the imagery of poets and in the theme of musicians. If you study one musician and his lifelong work you will find that his whole work is developed on a certain line as the basis of his work. Also by studying the biography of great people you will find how one thing has led to another, different but of similar kind. Therefore, it is natural that a thief in time becomes a greater thief. So the righteous after some time may become a saint.

It is not difficult to slide on the line already made on one's mind; the difficulty is to act contrary to the line which is engraved there, especially in the case when it happens to be an undesirable line. Shiva, the great Lord of Yogis, has given a special teaching on the subject, which he calls Viprit Karnai: "Acting contrary to one's nature." And he gives great importance to this method of working with oneself, that by this method in the end one arrives at mastery.