The Teaching of Hazrat Inayat Khan      

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Volume

Sayings

Social Gathekas

Religious Gathekas

The Message Papers

The Healing Papers

Vol. 1, The Way of Illumination

Vol. 1, The Inner Life

Vol. 1, The Soul, Whence And Whither?

Vol. 1, The Purpose of Life

Vol. 2, The Mysticism of Sound and Music

Vol. 2, The Mysticism of Sound

Vol. 2, Cosmic Language

Vol. 2, The Power of the Word

Vol. 3, Education

Vol. 3, Life's Creative Forces: Rasa Shastra

Vol. 3, Character and Personality

Vol. 4, Healing And The Mind World

Vol. 4, Mental Purification

Vol. 4, The Mind-World

Vol. 5, A Sufi Message Of Spiritual Liberty

Vol. 5, Aqibat, Life After Death

Vol. 5, The Phenomenon of the Soul

Vol. 5, Love, Human and Divine

Vol. 5, Pearls from the Ocean Unseen

Vol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of Existence

Vol. 6, The Alchemy of Happiness

Vol. 7, In an Eastern Rose Garden

Vol. 8, Health and Order of Body and Mind

Vol. 8, The Privilege of Being Human

Vol. 8a, Sufi Teachings

Vol. 9, The Unity of Religious Ideals

Vol. 10, Sufi Mysticism

Vol. 10, The Path of Initiation and Discipleship

Vol. 10, Sufi Poetry

Vol. 10, Art: Yesterday, Today, and Tomorrow

Vol. 10, The Problem of the Day

Vol. 11, Philosophy

Vol. 11, Psychology

Vol. 11, Mysticism in Life

Vol. 12, The Vision of God and Man

Vol. 12, Confessions: Autobiographical Essays of Hazat Inayat Khan

Vol. 12, Four Plays

Vol. 13, Gathas

Vol. 14, The Smiling Forehead

By Date

THE SUPPLEMENTARY PAPERS

Heading

1. Music

2. Esoteric Music

3. The Music of the Spheres

4. The Mysticism of Sound

5. The Mystery of Sound

6. The Mystery of Color and Sound

7. The Spiritual Significance of Color and Sound

8. The Ancient Music

9. The Divinity of Indian Music

10. The Use Made of Music by the Sufis of the Chishti Order

11. The Use Made of Music by the Dancing Dervishes

12. The Science and Art of Hindu Music

13. The Connection Between Dance and Music

14. Rhythm

15. The Vina

16. The Manifestation of Sound on the Physical Sphere

17. The Effect of Sound on the Physical Body

18. The Voice

19. The Influence of Music upon the Character of Man

20. The Psychological Influence of Music

21. The Healing Power of Music

22. Spiritual Attainment by the Aid of Music

Aphorisms

Sub-Heading

-ALL-

1

2

Vol. 2, The Mysticism of Sound and Music

10. The Use Made of Music by the Sufis of the Chishti Order

The Sufi especially loves music, calling it ghiz-i-ruh - food of the soul.

1

The Yogis and the Sufis, in their meditation, have always had music. Music is the greatest mystery in the world. The whole manifestation is made of vibrations, and vibrations contain all its secret. The vibrations of music free the soul and take from a person all the heaviness which keeps him bound. Music reaches the soul in a moment, as the telegraph reaches from London to New York.

There is one difference between the Sufis and the Yogis, and all the other mystics. Their ideas, their thoughts and their life are quite the same, but you will see the Sufis sometimes in tears and sometimes in joy. Worldly persons think: "They are mad!", and mystics may think: "They are on the surface; they are not on the same level." To the Sufi, self-pity, tears at what happens to the self, are haram -- prohibited. But tears in the thought of the Beloved, in the realization of some truth, are allowable. Extreme joy for what happens to the self is not allowable, but joy in the thought of the Beloved, is allowable. The heart is touched, it is moved by the thought of God. It is then that the dervishes dance. Sometimes the dance expresses the action of the Beloved, sometimes it is the face of the Beloved.

The Sufis have used music not as an amusement, but as purification, as prayer to God. The Chishti Order of Sufis especially uses music. This Order exists chiefly in India, and has come from Russia. Chishti in Russian means pure, and Sufi - sara - means pure. There are different means of purification. It is according to our view that all seems good, or that all seems bad. The old Greek motto says: "Evil is to him who thinks evil." What may seem an amusement, something light, is prayer to God. There are different ways of praying to God. In times when the world was most interested in music, art, science, and in amusement, these were used to bring before people the idea of something higher. Music and plays have been used, and the churches used some sort of show.

If you go among people of other occupations you will find them cold. They will pay little attention, they will speak just one word to you. But the heart of the musicians who have to do with sound is warmed by sound.

2

Once when I was sitting in the presence of Shakr Ali Ebah Ganj, a very great mystic, I asked him whether he knew the Sufis of Afghanistan. He had travelled very far. He said: "They are Chishtis, but they do not like music." This astonished me very much, because the Chishtis have a great devotion for music. He explained that the cold climate of Afghanistan does not allow music to have its effect.

The Chishti Order of the Sufis makes a great use of music to warm the heart, to produce feeling. When a person has understood that everything in the world is false, that every being is untrue -- when this wisdom comes, then coldness comes. A little child is very magnetic because of its warmth. It is friendly to everyone. When its intelligence grows it distinguishes: "This one favored me; that one did not favor me. This one was kind; that one was not kind. This one gave; that one did not give." Then coldness comes. Then we think: "This one is my enemy; I should not speak with him. This man has written an article against me; therefore I should have nothing to do with him. This man's grandfather was my father's enemy; therefore I should avoid him." The selfishness and coldness grow in us to such an extent. To stop this coldness, to produce feeling, the Chishtis use music. The vibrations of sound produce warmth.

When I was travelling through Russia I made this prayer: "O God, do not let anyone who is poor come here. For anyone who is poor the cold is terrible. If he has no shoes, he has to bind bundles of rags round his feet. If he has no fire in the house, if he has no warm coat, if he has to go out to work or if she has to go out to work thinly clad - it is terrible!"