The Teaching of Hazrat Inayat Khan
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Volume SayingsSocial GathekasReligious GathekasThe Message PapersThe Healing PapersVol. 1, The Way of IlluminationVol. 1, The Inner LifeVol. 1, The Soul, Whence And Whither?Vol. 1, The Purpose of LifeVol. 2, The Mysticism of Sound and MusicVol. 2, The Mysticism of SoundVol. 2, Cosmic LanguageVol. 2, The Power of the WordVol. 3, EducationVol. 3, Life's Creative Forces: Rasa ShastraVol. 3, Character and PersonalityVol. 4, Healing And The Mind WorldVol. 4, Mental PurificationVol. 4, The Mind-WorldVol. 5, A Sufi Message Of Spiritual LibertyVol. 5, Aqibat, Life After DeathVol. 5, The Phenomenon of the SoulVol. 5, Love, Human and DivineVol. 5, Pearls from the Ocean UnseenVol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of ExistenceVol. 6, The Alchemy of HappinessVol. 7, In an Eastern Rose GardenVol. 8, Health and Order of Body and MindVol. 8, The Privilege of Being HumanVol. 8a, Sufi TeachingsVol. 9, The Unity of Religious IdealsVol. 10, Sufi MysticismVol. 10, The Path of Initiation and DiscipleshipVol. 10, Sufi PoetryVol. 10, Art: Yesterday, Today, and TomorrowVol. 10, The Problem of the DayVol. 11, PhilosophyVol. 11, PsychologyVol. 11, Mysticism in LifeVol. 12, The Vision of God and ManVol. 12, Confessions: Autobiographical Essays of Hazat Inayat KhanVol. 12, Four PlaysVol. 13, GathasVol. 14, The Smiling ForeheadBy DateTHE SUPPLEMENTARY PAPERS | Heading 1. Music2. Esoteric Music3. The Music of the Spheres4. The Mysticism of Sound5. The Mystery of Sound6. The Mystery of Color and Sound7. The Spiritual Significance of Color and Sound8. The Ancient Music9. The Divinity of Indian Music10. The Use Made of Music by the Sufis of the Chishti Order11. The Use Made of Music by the Dancing Dervishes12. The Science and Art of Hindu Music13. The Connection Between Dance and Music14. Rhythm15. The Vina16. The Manifestation of Sound on the Physical Sphere17. The Effect of Sound on the Physical Body18. The Voice19. The Influence of Music upon the Character of Man20. The Psychological Influence of Music21. The Healing Power of Music22. Spiritual Attainment by the Aid of MusicAphorisms |
Sub-Heading -ALL- |
Vol. 2, The Mysticism of Sound and Music11. The Use Made of Music by the Dancing DervishesDervishis are those among Sufis who adopt a certain method of progressing through the spiritual path, and who try to live a life as far away from the midst of the world as possible. Dervishes are also called faqirs and are most powerful. They have the power of wonder-working, and the power of insight. They are dreamers, and lovers of God. They worship God in nature, especially in human nature. Among the many ways of spiritual development they have one way, called sama, which is listening to music. They listen to music in an assembly of initiates; no noninitiate is allowed to enter their assembly. They address one another saying: "O king of kings, O sovereign of sovereigns", and they are mostly clad in robes or patches, or in rags. They never think of tomorrow. Their thought is only for the moment: to quench the thirst of the moment, and to satisfy the hunger of the time. The care of tomorrow they leave to the morrow; it is with "just now" that they are concerned - if they are at all concerned with life. They are the ones who are really entitled to enjoy the beauty of music, whose spirit and soul are responsive with open centers, who make themselves as a medium of resonance of the music they hear. Therefore music touches them differently from any other person; music touches the depth of their being. Thus moved by music, they manifest different conditions, termed by Sufis hal, which means condition. Whoever among them is moved by spirit may manifest the ecstasy, which is called wajad, in the form of tears, sighs, or dance. It is therefore that those who do not understand the meaning of their dance call them howling dervishes, or dancing dervishes. The gold of heaven is dust to the worldly man, and the gold of the earth is as dust to the heavenly man. To either the gold of the other means nothing but dust: their coins are not interchangeable. Therefore, the bliss of the dervish is understood by very few. What one can learn from this is the theory of the whole process of their spiritual development. By making God their Beloved, and by seeing God in the sublimity of nature, they create the presence of God. As the whole day's affairs in life consist of both joy and pain, so the life of the dervish is also filled with both joy and pain in the presence of God. By the help of concentration, of poetry and music, both joy and pain are felt more deeply. Therefore God becomes living to the dervish. His presence is before him in all his moods. When once his pain has had an outlet in some form or other in the sama, the musical ceremony, the condition that follows is that of deeper insight into life. Upon whatever object or person he may cast his glance, these reveal to his soul their deepest nature, character and secret, thus making the whole of life clear to his vision in the light of God. Question: What do you mean by "joy and pain in the presence of God'? Why should there be pain. What is pain? Pain, in the real sense of the word, is the deepest joy. If one has imagination one can enjoy tragedy more than comedy. Comedy is for children, tragedy is for the grown-up. It is through pain that a person becomes an old soul. A person may be young in age, but deep in thought. Question: Not thinking of tomorrow, living in the thought of the moment is also taught by Christ. But can it be the ideal for a nation whose life must be built upon organization? |