The Teaching of Hazrat Inayat Khan
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Volume SayingsSocial GathekasReligious GathekasThe Message PapersThe Healing PapersVol. 1, The Way of IlluminationVol. 1, The Inner LifeVol. 1, The Soul, Whence And Whither?Vol. 1, The Purpose of LifeVol. 2, The Mysticism of Sound and MusicVol. 2, The Mysticism of SoundVol. 2, Cosmic LanguageVol. 2, The Power of the WordVol. 3, EducationVol. 3, Life's Creative Forces: Rasa ShastraVol. 3, Character and PersonalityVol. 4, Healing And The Mind WorldVol. 4, Mental PurificationVol. 4, The Mind-WorldVol. 5, A Sufi Message Of Spiritual LibertyVol. 5, Aqibat, Life After DeathVol. 5, The Phenomenon of the SoulVol. 5, Love, Human and DivineVol. 5, Pearls from the Ocean UnseenVol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of ExistenceVol. 6, The Alchemy of HappinessVol. 7, In an Eastern Rose GardenVol. 8, Health and Order of Body and MindVol. 8, The Privilege of Being HumanVol. 8a, Sufi TeachingsVol. 9, The Unity of Religious IdealsVol. 10, Sufi MysticismVol. 10, The Path of Initiation and DiscipleshipVol. 10, Sufi PoetryVol. 10, Art: Yesterday, Today, and TomorrowVol. 10, The Problem of the DayVol. 11, PhilosophyVol. 11, PsychologyVol. 11, Mysticism in LifeVol. 12, The Vision of God and ManVol. 12, Confessions: Autobiographical Essays of Hazat Inayat KhanVol. 12, Four PlaysVol. 13, GathasVol. 14, The Smiling ForeheadBy DateTHE SUPPLEMENTARY PAPERS | Heading 1. Sex2. Half-Bodies3. Attraction and Repulsion4. On Some Ideals5. Types of Lovers6. The Character of the BelovedFour Types of Women7. Modesty8. The Awakening of Youth9. Courtship10. Chivalry11. Marriage12. Beauty13. Passion14. Celibacy15. Monogamy15. Pologamy17. Perversion18. Prostitution |
Sub-Heading -ALL-ii |
Vol. 3, Life's Creative Forces: Rasa Shastra10. ChivalryiiThere is a feminine chivalry which the poets of Hindustan call Naz, a beauty that shines out if lighted by the deference of a man. It is a beauty that lies silent and hidden till an act of attention, of admiration, or respect on the part of a man stimulates the vanity in which it is rooted. Under courtesy and consideration it unfolds to a perfection that is shown in the woman's every action and feeling; in her words and deeds, smiles and tears, so that every one of them becomes filled with beauty. The value that a woman attaches to a man's small acts of courtesy is rarely understood by man, and it seems to him inexplicable and part of that mystery which he believes shrouds her from him. But there is no woman, no matter of what type or class, country or nation, in whom there is not this beauty which the courtesy of man alone discloses. There is another kind of feminine chivalry which the poets call Nayaz. This tendency is seen expressing itself in the gallant and courageous response that a woman will make to her admirer; or it may express itself in a gentle, yielding forbearance towards him. It makes her lenient and forgiving to a man, modest and gracious. When he has a desire to protect and to help her, it is a gentle chivalry on her part that makes her put herself, as it were, into his hands. She gives him that trust which he wants her to place in him, and accepts his attentions, just because he so desires her to trust him and to receive his care or homage. It is her chivalry which constrains her to value male chivalry and hold it precious. And there is yet another kind of feminine chivalry: Nakhra, which is the radiance and beauty that man recognizes as feminine. When a woman possesses this quality, nothing can hide it; it shines out unwavering and undimmed, natural, without self-consciousness. No effort on a man's part is needed to disclose it; nor on the other hand is it the result of any conscious effort of her own. In it there is no pointing with a dart, no aiming with an arrow, towards some target of admiration or reward. It lies in her simple and unaffected recognition of a certain part of life as her kingdom, over which she is by right a queen, and where she reigns with consideration towards those dependent upon her. That is the very essence of aristocracy and chivalry. No situation in life can extinguish this natural beauty; and it may be seen shining in the unconscious movements, in the unclouded gaiety and serenity, and in the intelligence of a maiden who is as yet untouched by any burden of life. It is a queenliness, a womanliness that irradiates its possessor at every step of her journey through life; and more than any other human quality it wins the heart of man. |