The Teaching of Hazrat Inayat Khan      

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Volume

Sayings

Social Gathekas

Religious Gathekas

The Message Papers

The Healing Papers

Vol. 1, The Way of Illumination

Vol. 1, The Inner Life

Vol. 1, The Soul, Whence And Whither?

Vol. 1, The Purpose of Life

Vol. 2, The Mysticism of Sound and Music

Vol. 2, The Mysticism of Sound

Vol. 2, Cosmic Language

Vol. 2, The Power of the Word

Vol. 3, Education

Vol. 3, Life's Creative Forces: Rasa Shastra

Vol. 3, Character and Personality

Vol. 4, Healing And The Mind World

Vol. 4, Mental Purification

Vol. 4, The Mind-World

Vol. 5, A Sufi Message Of Spiritual Liberty

Vol. 5, Aqibat, Life After Death

Vol. 5, The Phenomenon of the Soul

Vol. 5, Love, Human and Divine

Vol. 5, Pearls from the Ocean Unseen

Vol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of Existence

Vol. 6, The Alchemy of Happiness

Vol. 7, In an Eastern Rose Garden

Vol. 8, Health and Order of Body and Mind

Vol. 8, The Privilege of Being Human

Vol. 8a, Sufi Teachings

Vol. 9, The Unity of Religious Ideals

Vol. 10, Sufi Mysticism

Vol. 10, The Path of Initiation and Discipleship

Vol. 10, Sufi Poetry

Vol. 10, Art: Yesterday, Today, and Tomorrow

Vol. 10, The Problem of the Day

Vol. 11, Philosophy

Vol. 11, Psychology

Vol. 11, Mysticism in Life

Vol. 12, The Vision of God and Man

Vol. 12, Confessions: Autobiographical Essays of Hazat Inayat Khan

Vol. 12, Four Plays

Vol. 13, Gathas

Vol. 14, The Smiling Forehead

By Date

THE SUPPLEMENTARY PAPERS

Heading

PHILOSOPHY 1

PHILOSOPHY 2

PHILOSOPHY 3

PHILOSOPHY 4

PHILOSOPHY 5

MYSTICISM 1

MYSTICISM 2

MYSTICISM 3

MYSTICISM 4

MYSTICISM 5

MYSTICISM 6

MYSTICISM 7

METAPHYSICS 1

METAPHYSICS 2

METAPHYSICS 3

METAPHYSICS 4

PSYCHOLOGY 1

PSYCHOLOGY 2

PSYCHOLOGY 3

PSYCHOLOGY 4

PSYCHOLOGY 5

PSYCHOLOGY 6

PSYCHOLOGY 7

BROTHERHOOD 1

BROTHERHOOD 2

MISCELLANEOUS I

MISCELLANEOUS 2

MISCELLANEOUS 3

MISCELLANEOUS 4

MISCELLANEOUS 5

MISCELLANEOUS 6

MISCELLANEOUS 7

RELIGION 1

RELIGION 2

RELIGION 3

RELIGION 4

ART AND MUSIC 1

ART AND MUSIC 2

ART AND MUSIC 3

ART AND MUSIC 4

CLASS FOR MUREEDS 1

CLASS FOR MUREEDS 2

CLASS FOR MUREEDS 3

CLASS FOR MUREEDS 4

CLASS FOR MUREEDS 5

CLASS FOR MUREEDS 6

CLASS FOR MUREEDS 7

CLASS FOR MUREEDS 8

Sub-Heading

-ALL-

Art

Nature

Copying (1)

Improving

Copying (2)

Improvement

Illusion in Art

The Art of Copying Nature

The Art of Improvement

The One Who Improves

Observation

Symbology

THE SUPPLEMENTARY PAPERS

ART AND MUSIC 3

Observation

To have the real knowledge of color and form is not easy for every artist. The sensibility for the minute shades of different colors and for the variety of shades in one color is a natural gift, which no study nor practice can teach, unless the artist is inspired by his own genius. It is difficult to have the feeling of the slight differences of thinness and thickness of the structure, and it is still more difficult for the average person to distinguish between the slight changes of color and form unless he is gifted by artistic insight. No doubt there is only one way of development, and if that way comes by itself so much the better.

Keenness of observation is both cause and effect of patience, love, and perseverance. A keen observation in reality is a concentration with open eyes; and when the gaze is fixed on an object of beauty and the mind, stilled by its effect, reflects the same effect from within, it becomes a complete concentration, a heaven in itself, if viewed mystically. This brings one to the realization of the philosophy that beauty in every form is perfection, and this perfection can be brought about by the harmony of two opposed things.

When the eyes are looking at a certain object and the mind is thinking of something else, this must naturally create a collision; for two activities going on at the same time in different directions, having no touch of harmony, must of themselves fail to prove successful, since conflict is a breach of the law of perfection. No one can concentrate better than a real artist, and no one can become great in art without developing concentration of mind. Both mind and body act and react upon each other, so as art helps concentration, so concentration helps art.