The Teaching of Hazrat Inayat Khan
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Volume SayingsSocial GathekasReligious GathekasThe Message PapersThe Healing PapersVol. 1, The Way of IlluminationVol. 1, The Inner LifeVol. 1, The Soul, Whence And Whither?Vol. 1, The Purpose of LifeVol. 2, The Mysticism of Sound and MusicVol. 2, The Mysticism of SoundVol. 2, Cosmic LanguageVol. 2, The Power of the WordVol. 3, EducationVol. 3, Life's Creative Forces: Rasa ShastraVol. 3, Character and PersonalityVol. 4, Healing And The Mind WorldVol. 4, Mental PurificationVol. 4, The Mind-WorldVol. 5, A Sufi Message Of Spiritual LibertyVol. 5, Aqibat, Life After DeathVol. 5, The Phenomenon of the SoulVol. 5, Love, Human and DivineVol. 5, Pearls from the Ocean UnseenVol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of ExistenceVol. 6, The Alchemy of HappinessVol. 7, In an Eastern Rose GardenVol. 8, Health and Order of Body and MindVol. 8, The Privilege of Being HumanVol. 8a, Sufi TeachingsVol. 9, The Unity of Religious IdealsVol. 10, Sufi MysticismVol. 10, The Path of Initiation and DiscipleshipVol. 10, Sufi PoetryVol. 10, Art: Yesterday, Today, and TomorrowVol. 10, The Problem of the DayVol. 11, PhilosophyVol. 11, PsychologyVol. 11, Mysticism in LifeVol. 12, The Vision of God and ManVol. 12, Confessions: Autobiographical Essays of Hazat Inayat KhanVol. 12, Four PlaysVol. 13, GathasVol. 14, The Smiling ForeheadBy DateTHE SUPPLEMENTARY PAPERS | Heading Part 1, Health1. The Main Aspects of Healing2. The Psychological Nature of Diseases3. The Development of Healing Power4. The Application of Healing Power5. Various Methods of Healing |
Sub-Heading -ALL-The BreathPurificationRhythmThe Power of the BreathOne Common Cause of All DiseasesDevelopment of Power in the Finger-tipsThe Power of the PresenceThe Power of the MindThe Power of ConcentrationSending Power to a Distance |
Vol. 4, Healing And The Mind World3. The Development of Healing PowerRhythmThe development of healing power depends upon the development of the breath. The breath can be developed by purification, by extension, by expansion, and by rhythm. There are three different kinds of rhythm in the breath:
Those who have not mastered their breath are under the influence of these three rhythms, their health, their mood, and their condition in life; but those who master the breath, can put their breath in any of these rhythms; and when mastery is acquired then the healer has the key to wind any clock. In reality every disease means something wrong with the rhythm. As a doctor says congestion is the root of diseases, so to a Sufi congestion means lack of rhythm; it may be in the circulation, in breathing, in activity, or in repose. A physician in order to find a disease examines the pulse, the beats of the heart, and the condition of the lungs. This itself is the proof that rhythm is the keeper of health, and when there is something wrong with the health the rhythm in some way or other has gone wrong, as when the tick of the clock gets out of rhythm the clock goes too fast or too slow, and it does not give the proper time. The healer, therefore, must get his rhythm right, so that he can control the mechanism of another person's body. In India there is a custom of clapping the hands or snapping the fingers when somebody is yawning. The idea is that yawning is the sign of the falling of the rhythm, it is the rhythm of one's body that falls to a slower rate when one feels inclined to steep, and the clapping of the hands and the snapping of the fingers set the pulsation of the other person in the same rhythm as before. It is just like shaking a person who is nodding, to bring the mechanism of his body into proper working order. When the healer is capable of regulating his own rhythm he becomes capable also of making another person's rhythm regular. It requires great knowledge and inspiration concerning the nature of the human mind and body; and the healer who knows how to work with it is like the conductor with the orchestra. The health of everyone that he heals he keeps regular, as the conductor keeps the rhythm of every musician who plays in the orchestra. |