The Teaching of Hazrat Inayat Khan
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Volume SayingsSocial GathekasReligious GathekasThe Message PapersThe Healing PapersVol. 1, The Way of IlluminationVol. 1, The Inner LifeVol. 1, The Soul, Whence And Whither?Vol. 1, The Purpose of LifeVol. 2, The Mysticism of Sound and MusicVol. 2, The Mysticism of SoundVol. 2, Cosmic LanguageVol. 2, The Power of the WordVol. 3, EducationVol. 3, Life's Creative Forces: Rasa ShastraVol. 3, Character and PersonalityVol. 4, Healing And The Mind WorldVol. 4, Mental PurificationVol. 4, The Mind-WorldVol. 5, A Sufi Message Of Spiritual LibertyVol. 5, Aqibat, Life After DeathVol. 5, The Phenomenon of the SoulVol. 5, Love, Human and DivineVol. 5, Pearls from the Ocean UnseenVol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of ExistenceVol. 6, The Alchemy of HappinessVol. 7, In an Eastern Rose GardenVol. 8, Health and Order of Body and MindVol. 8, The Privilege of Being HumanVol. 8a, Sufi TeachingsVol. 9, The Unity of Religious IdealsVol. 10, Sufi MysticismVol. 10, The Path of Initiation and DiscipleshipVol. 10, Sufi PoetryVol. 10, Art: Yesterday, Today, and TomorrowVol. 10, The Problem of the DayVol. 11, PhilosophyVol. 11, PsychologyVol. 11, Mysticism in LifeVol. 12, The Vision of God and ManVol. 12, Confessions: Autobiographical Essays of Hazat Inayat KhanVol. 12, Four PlaysVol. 13, GathasVol. 14, The Smiling ForeheadBy DateTHE SUPPLEMENTARY PAPERS | Heading Superstitions, Customs, and BeliefsInsightSymbologyBreathMoralsEveryday LifeMetaphysics |
Sub-Heading -ALL-1.1, An Ocean in a Drop1.2, The Symbol of the Sun1.3, The Symbol of the Cross1.4, The Two Forces1.5, The Symbol of the Dove1.6, The Symbol of the Sufi Order1.7, Symbology of the Dot and the Circle1.8, Symbolism of Lines --1.9, The Symbolism of the Triangle1.10, Symbology of the Mushroom2.1, "Die Before Death"2.2, Fruitfulness2.3, The Symbol of the Dragon2.4, Water2.5, Wine2.6, The Curl of the Beloved2.7, The Glance2.8 The Myth of Balder2.9 The Tree of Wishes2.10 The Hindu Symbolical Form of Worship3.1, Layla and Majnun (1)3.2, Layla and Majnun (2)3.3, Christ Walking on the Water3.4, Shaqq us-Sadr, the Opening of the Breast of the Prophet3.5, Miraj, the Dream of the Prophet3.6, The Flute of Krishna3.7, Tongues of Fire3.8, The Story of Lot's Wife3.9, The Symbology of Religious Ideas3.10, The Ten Virgins |
Vol. 13, GathasSymbology3.6, The Flute of KrishnaKrishna is pictured in Hindu symbology with a crown of peacock's feathers, playing the flute. Krishna is the idea of divine love, the god of love. And the divine love expresses itself by entering in man and filling his whole being. Therefore the flute is the human heart, and a heart which is made hollow, which becomes a flute for the god of love to play. When the heart is not empty, in other words when there is no scope in the heart, there is no place for love. Rumi, the great poet of Persia, explains the idea more clearly. He says the pains and sorrows the soul experiences through life are holes made in a reed flute, and it is by making these holes that the player makes out of a reed a flute. Which means, the heart of man is first a reed, and the suffering and pain it goes through make it a flute, which can then be used by God as the instrument to produce the music that He constantly wishes to produce. But every reed is not a flute, and so every heart is not His instrument. As the reeds need to be made into flutes, so the human heart can be turned into an instrument and can be offered to the God of love. It is the human heart which becomes the harp of the angels, it is the human heart which is the lute of Orpheus. It is on the model of the heart of man that the first instrument of music was made, and no earthly instrument can produce that music which the heart produces, raising the mortal soul to immortality. The crown of peacock's feathers leads to a further revelation, that it is the music of the heart which can be expressed through the head; it is the knowledge of the head and the love of the heart that express the divine message fully. Peacock's feathers have in all ages been considered as a sign of beauty, as a sign of knowledge; beauty because they are beautiful, knowledge because they are in the form of an eye. It is by keen observation that man acquires knowledge. Knowledge without love is lifeless. So with the flute the crown of peacock's feathers makes the symbol complete. Questions and Answers (July 20, 1923) Q: What is the meaning of the peacock feathers? A: The peacock feathers are considered by the poets and mystics as a symbol (sign) of beauty, and a sign of vanity. And they are included in all the kingly grandeurs. And the peacock is the bird upon which rode the goddess of music and literature, Saraswati. Also the peacock feathers are used at the tombs of the Sufis, by the guardians of the tomb. Also by the healers, that by the pass of the peacock feathers, which is the pass of harmony and beauty, the bad influences may be taken away. Also in India they use peacock feathers in the necklace of a child, and that is a little psychological trick. A child who is susceptible to evil eye is saved from its severe influence, because it is natural that the first glance of a person, instead of falling upon the child, will fall upon the peacock feathers, because it attracts the curiosity of everyone. In that way the first severe glance is, so to speak, shielded by the peacock feathers. And the same thing is done by the lion's nails which are put in the necklace of a little child. Q: Why can we only have knowledge of God through the heart? What part of the mind does the heart represent?
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