The Teaching of Hazrat Inayat Khan      

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Volume

Sayings

Social Gathekas

Religious Gathekas

The Message Papers

The Healing Papers

Vol. 1, The Way of Illumination

Vol. 1, The Inner Life

Vol. 1, The Soul, Whence And Whither?

Vol. 1, The Purpose of Life

Vol. 2, The Mysticism of Sound and Music

Vol. 2, The Mysticism of Sound

Vol. 2, Cosmic Language

Vol. 2, The Power of the Word

Vol. 3, Education

Vol. 3, Life's Creative Forces: Rasa Shastra

Vol. 3, Character and Personality

Vol. 4, Healing And The Mind World

Vol. 4, Mental Purification

Vol. 4, The Mind-World

Vol. 5, A Sufi Message Of Spiritual Liberty

Vol. 5, Aqibat, Life After Death

Vol. 5, The Phenomenon of the Soul

Vol. 5, Love, Human and Divine

Vol. 5, Pearls from the Ocean Unseen

Vol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of Existence

Vol. 6, The Alchemy of Happiness

Vol. 7, In an Eastern Rose Garden

Vol. 8, Health and Order of Body and Mind

Vol. 8, The Privilege of Being Human

Vol. 8a, Sufi Teachings

Vol. 9, The Unity of Religious Ideals

Vol. 10, Sufi Mysticism

Vol. 10, The Path of Initiation and Discipleship

Vol. 10, Sufi Poetry

Vol. 10, Art: Yesterday, Today, and Tomorrow

Vol. 10, The Problem of the Day

Vol. 11, Philosophy

Vol. 11, Psychology

Vol. 11, Mysticism in Life

Vol. 12, The Vision of God and Man

Vol. 12, Confessions: Autobiographical Essays of Hazat Inayat Khan

Vol. 12, Four Plays

Vol. 13, Gathas

Vol. 14, The Smiling Forehead

By Date

THE SUPPLEMENTARY PAPERS

Heading

Superstitions, Customs, and Beliefs

Insight

Symbology

Breath

Morals

Everyday Life

Metaphysics

Sub-Heading

-ALL-

1.1, An Ocean in a Drop

1.2, The Symbol of the Sun

1.3, The Symbol of the Cross

1.4, The Two Forces

1.5, The Symbol of the Dove

1.6, The Symbol of the Sufi Order

1.7, Symbology of the Dot and the Circle

1.8, Symbolism of Lines --

1.9, The Symbolism of the Triangle

1.10, Symbology of the Mushroom

2.1, "Die Before Death"

2.2, Fruitfulness

2.3, The Symbol of the Dragon

2.4, Water

2.5, Wine

2.6, The Curl of the Beloved

2.7, The Glance

2.8 The Myth of Balder

2.9 The Tree of Wishes

2.10 The Hindu Symbolical Form of Worship

3.1, Layla and Majnun (1)

3.2, Layla and Majnun (2)

3.3, Christ Walking on the Water

3.4, Shaqq us-Sadr, the Opening of the Breast of the Prophet

3.5, Miraj, the Dream of the Prophet

3.6, The Flute of Krishna

3.7, Tongues of Fire

3.8, The Story of Lot's Wife

3.9, The Symbology of Religious Ideas

3.10, The Ten Virgins

Vol. 13, Gathas

Symbology

3.6, The Flute of Krishna

Krishna is pictured in Hindu symbology with a crown of peacock's feathers, playing the flute. Krishna is the idea of divine love, the god of love. And the divine love expresses itself by entering in man and filling his whole being. Therefore the flute is the human heart, and a heart which is made hollow, which becomes a flute for the god of love to play. When the heart is not empty, in other words when there is no scope in the heart, there is no place for love. Rumi, the great poet of Persia, explains the idea more clearly. He says the pains and sorrows the soul experiences through life are holes made in a reed flute, and it is by making these holes that the player makes out of a reed a flute.

Which means, the heart of man is first a reed, and the suffering and pain it goes through make it a flute, which can then be used by God as the instrument to produce the music that He constantly wishes to produce. But every reed is not a flute, and so every heart is not His instrument. As the reeds need to be made into flutes, so the human heart can be turned into an instrument and can be offered to the God of love. It is the human heart which becomes the harp of the angels, it is the human heart which is the lute of Orpheus. It is on the model of the heart of man that the first instrument of music was made, and no earthly instrument can produce that music which the heart produces, raising the mortal soul to immortality.

The crown of peacock's feathers leads to a further revelation, that it is the music of the heart which can be expressed through the head; it is the knowledge of the head and the love of the heart that express the divine message fully. Peacock's feathers have in all ages been considered as a sign of beauty, as a sign of knowledge; beauty because they are beautiful, knowledge because they are in the form of an eye. It is by keen observation that man acquires knowledge. Knowledge without love is lifeless. So with the flute the crown of peacock's feathers makes the symbol complete.

Questions and Answers (July 20, 1923)

Q: What is the meaning of the peacock feathers?

A: The peacock feathers are considered by the poets and mystics as a symbol (sign) of beauty, and a sign of vanity. And they are included in all the kingly grandeurs. And the peacock is the bird upon which rode the goddess of music and literature, Saraswati. Also the peacock feathers are used at the tombs of the Sufis, by the guardians of the tomb. Also by the healers, that by the pass of the peacock feathers, which is the pass of harmony and beauty, the bad influences may be taken away. Also in India they use peacock feathers in the necklace of a child, and that is a little psychological trick. A child who is susceptible to evil eye is saved from its severe influence, because it is natural that the first glance of a person, instead of falling upon the child, will fall upon the peacock feathers, because it attracts the curiosity of everyone. In that way the first severe glance is, so to speak, shielded by the peacock feathers. And the same thing is done by the lion's nails which are put in the necklace of a little child.

Q: Why can we only have knowledge of God through the heart? What part of the mind does the heart represent?

  • A: The heart is the principle center, not the heart in the body, but the heart which is the depth of the mind, for the mind is the surface of the heart.
  • The heart and mind are as one tree: the root is the heart and the branches, fruits, flowers, and leaves represent the mind.
  • The heart is at the bottom of thought, imagination, and all.
  • Feelings always belong to the heart, thought to the mind; so what belongs to the mind can be expressed in words, what to the heart cannot.
  • Everything in the mind is intelligible, but what is intelligible but not expressible, or beyond what is intelligible, that is the heart.
  • Deeper feelings, mirth, kindness, sympathy, all fine feelings which cannot be expressed in words are all activities of the heart.
  • The heart is like the sea, and the waves are its emotions.
  • The brain is all over the body, this fact is admitted by modern science; brain is that susceptibility which is sensitive, such as nerves which are the sensitive feelers of the brain.