The Teaching of Hazrat Inayat Khan
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Volume SayingsSocial GathekasReligious GathekasThe Message PapersThe Healing PapersVol. 1, The Way of IlluminationVol. 1, The Inner LifeVol. 1, The Soul, Whence And Whither?Vol. 1, The Purpose of LifeVol. 2, The Mysticism of Sound and MusicVol. 2, The Mysticism of SoundVol. 2, Cosmic LanguageVol. 2, The Power of the WordVol. 3, EducationVol. 3, Life's Creative Forces: Rasa ShastraVol. 3, Character and PersonalityVol. 4, Healing And The Mind WorldVol. 4, Mental PurificationVol. 4, The Mind-WorldVol. 5, A Sufi Message Of Spiritual LibertyVol. 5, Aqibat, Life After DeathVol. 5, The Phenomenon of the SoulVol. 5, Love, Human and DivineVol. 5, Pearls from the Ocean UnseenVol. 5, Metaphysics, The Experience of the Soul Through the Different Planes of ExistenceVol. 6, The Alchemy of HappinessVol. 7, In an Eastern Rose GardenVol. 8, Health and Order of Body and MindVol. 8, The Privilege of Being HumanVol. 8a, Sufi TeachingsVol. 9, The Unity of Religious IdealsVol. 10, Sufi MysticismVol. 10, The Path of Initiation and DiscipleshipVol. 10, Sufi PoetryVol. 10, Art: Yesterday, Today, and TomorrowVol. 10, The Problem of the DayVol. 11, PhilosophyVol. 11, PsychologyVol. 11, Mysticism in LifeVol. 12, The Vision of God and ManVol. 12, Confessions: Autobiographical Essays of Hazat Inayat KhanVol. 12, Four PlaysVol. 13, GathasVol. 14, The Smiling ForeheadBy DateTHE SUPPLEMENTARY PAPERS | Heading 1. The Education of the Infant2. The Education of the Baby3. The Education of the Child4. The Education of Youth5. The Education of Children6. The Training of Youth |
Sub-Heading -ALL-Age 6Ages 7 to 9Ages 10 to 12The End of the First Cycle |
Vol. 3, Education3. The Education of the ChildAges 7 to 9The age of seven, eight, and nine years is considered childhood, early childhood. The beginning of this age is the beginning of a new life, a step forward into life. From seven, eight, and nine the child is conscious of the human sphere. Before that a child is conscious of the higher spheres, but at this time it is conscious of the human world. For the guardians this age of the child is of the greatest interest. There was once a man in prison who offered the State all his wealth if he were allowed to come out of prison. It took a long time for the Government to decide. And when the Government decided that he should be released he said, "No, now there is no purpose in coming out. There is a child at home, and this was the time of the greatest interest, to watch it grow, between seven and nine years old. Now that age is passed I prefer to finish my sentence." Early childhood is like soil that is just prepared for sowing the seed. It is such a great opportunity in the life of the child, and an even greater opportunity for the guardian to sow the seed of knowledge and of righteousness in the heart of the child. There are three subjects of interest which may not be taught to the child, but the child may be helped to interest itself in them: drawing, music, and dancing. It is at this age that the movements of the child should become graceful. But once the guardian begins to teach the child, then it is a training. This is not the time to train the child, this is the time to give free expression to its soul; to let it dance in any way that it likes to dance, a natural dance; to draw pictures just as it wishes to draw them and paint just as it wishes to paint, without any direction given to it, only interest in its work. Also if the child wishes to play an instrument or sing, let it sing in whatever way it likes. Maybe a word here and there to help it, but not to correct it, not to give it lessons on these subjects, not to let it think it is being taught; the child should only feel that it is being helped. When we study life keenly, we find that drawing, singing, and dancing are innate or inner inclinations. A child need not be taught, they come by themselves. Every normal child has a desire to sing, a desire to draw, and also a desire to dance. Only the child begins sometimes by drawing lines and figures on the wall and spoiling the wall. The guardians can check this inclination by giving the child pencil and paper and asking it to draw pictures on it. The child will feel proud to have the material to draw. Very often guardians become cross because a child has been drawing on the wall; but it cannot be helped, it is a natural inclination. The next inclination is that of singing. Very often an energetic child will show this inclination by shouting, by making a noise, by raising its voice; and this can be controlled. It can be best controlled by showing appreciation for a litle song that the child may sing. And if it does not know one, then let it learn one somewhere. A child who has the inclination to hear its own voice will be very glad to imitate any song it hears. The third inclination, that of dancing, the child shows in jumping up and down and turning from one corner to another. This shows restlessness and an inclination to move. And this activity can be controlled by showing appreciation for the dancing movements of little children. There was a time when the ancient people thought very much about movements. And they were right in thinking thus about them; because whenever you see a person with awkward movements you will find something awkward in his character. A person who is deficient in brain will always show it in the awkwardness of his movements. If movements have so much to do with a person's evolution, with his mentality, then graceful movements will always help the mentality of a person. The child which is naturally inclined to movement, will take interest if it is directed towards moving with rhythm. One might think it difficult to teach a child dancing, but one need not teach it dancing. One has only to teach the child action; for instance to turn, to take something from the ground or from the mantelpiece, to move something, any such everyday actions, and naturally all these actions turn into a dance. Besides children are very imitative, and anything that appeals to them they readily imitate. If they see graceful movements they are most eager to imitate them. That is the age when the imitating faculty begins to develop. Is it then good for children of that age to take them to dancing performances and exhibitions of pictures? Sometimes it is good, as long as one knows where one is taking them and what kind of performance it is. There are three things that a child may be taught at this particular time: perseverance, patience, and endurance. The child may be taught perseverance in anything that it is engaged in doing. Perhaps it is mending a toy, or doing some other work; one should help the child, encourage it to continue and not to leave it before it is finished. For however small this may appear, when this habit is formed, it will show later on in big things. A soul who has learned perseverance in childhood will show a tendency all his life to finish everything that he undertakes. Frequently we see that this tendency is lacking among grownup people; and this is very often the cause of their failure in life. And if their mind is restless, then it is still worse. They take up something today, and then after a week their interest is gone and there is something else; and they accomplish nothing in their lives. Life is a great opportunity, and the one who does not complete the thing he has undertaken, however small, certainly loses most in life. Accomplishment is more valuable than what is accomplished. For instance, if a person has loosened a knot in a string, apparently he has not gained anything, the time has been spent on a very small thing; and yet the action of completing it is useful, he has built something in his spirit that will be useful to him when he wants to accomplish great works. And now coming to the subject of patience, how can a child be taught patience? By teaching it to wait. Because a child is very impatient by nature, and if this tendency remains, then after that child is grown-up it will give it great unhappiness. When a person has no patience life becomes death for him. Patience is like death, but not to have patience is worse than death. Besides patience produces wonderful fruits, and patience is a quality which is beyond comparison with any other qualities in the world. If there is anything that gives kingliness to the soul, it is patience. What was the secret of the masters who have accomplished great things, who have inspired many and who have helped many souls? Their secret was patience. This is the time to sow the seed of patience in the child. In little things you can give the child the habit of patience. In asking for food, in wanting to go out to play, and in many other things a child shows lack of patience; yet if at that time, without hurting it, one gives it the habit of patience, the child will begin to show nobleness of spirit. The third thing is endurance. One might ask, "We have so much to endure in life when we are grown-up, why must we make a child endure at that age?" But the answer is that for the very reason that life will make it endure when it is grown-up, let it know from this time that there is such a thing as endurance and that every soul has to go through this. No doubt it is painful for the loving guardian to see the child develop the faculty of endurance, but at the same time it would be more painful if the child were to grow up without this faculty. And in what way can one teach the child this? From morning till evening in the life of a child there are a thousand things happening; so many times it falls, and so many times it hurts itself, and so many times it has to swallow a bitter pill; and every time that it is not inclined to go through something that is good for it to go through, one should give it courage and strength and a word of encouragement or of advice, appreciating its endurance. In this way it will develop the enduring faculty. In teaching the child, the best method is not to let it know that you are teaching. Teach it without the child knowing it. And that can be done by showing appreciation for the least little thing it does which you wish to develop in its spirit. The ego is born with pride, even in the child; and if you appreciate something, the child likes it too, and even sometimes more than the grownup, because grown-up people have lost faith in words. Very often people teach wrong nursery rhymes. It is not only a waste of time, but it has a bad effect on the child. Sometimes they are useless words, and sometimes they are meaningless words, and sometimes they are words of suggestion which may just as well be kept away from the mind of the child. Every rhyme that only rhymes is not beneficial; it must have some sense in it. And therefore the guardian must know first what he is teaching before teaching the child. It is the same with stories. The best method of teaching children is to teach them with stories. There are fables that interest children very much, and also there is a meaning to understand. If the guardians will explain to them the meaning that is in that fable the children will become still more interested in it, and at the same time they will learn something. A story need not be always very instructive; even grown-up people do not like that. The most interesting story for children is a funny story; and if one can put some little meaning into a comical story, that is the best thing one can do. They remember it, and at the same time the sense remains concealed in the story; and as they grow the sense begins to emerge, and one day they understand what it means. There is a fable of a donkey and a camel. Once a donkey went to a camel and said, "Camel Uncle, I would like very much to go grazing with you." The camel said, "Yes, I will come with you tomorrow." And so they went into a field. It took a long time for the camel to feed himself, but the donkey fed himself very quickly. After the donkey had finished his dinner he said, "Camel Uncle, I am so happy, first to have your friendship and then to be here in the field. I feel like singing and I would very much like you to dance." The camel said, "I have not yet finished my meal but you seem to be ready." "Well", said the donkey, "if you are not ready I will try my voice." And the donkey began to try his voice. And the farmer came with a stick in his hand, but the donkey jumped out of the way and the camel was beaten. When next day the donkey went to invite Uncle Camel, the camel said, "I am too ill; your way is different and my way is different. From today we will part." This story shows the sense of friendship between the one who is dignified and the one who has no sense of dignity. If a young child asks a question about his origin, the answer one must give is: God. This question gives one an opening to sow the seed of the God ideal in the heart of the child. It is always good to tell children stories from the Bible or other sacred scriptures, but the person who puts them in a form that the child can understand must be very wise. If not, as the stories are, sometimes they are not proper stories to teach children; also the time of the Old Testament was a different time, and there are some stories which do not suit the present time. It is always a good thing for the guardian to make his own stories; to get the ideas out of different books and to put them into his own story and then give them to the children. Once a wise guardian was asked by a child, "But is it a real story?" and he said, "As a story it is real." It is learning while playing, for no one is so interested in stories as little children; and if one makes use of that interest for their benefit, one has the greatest opportunity to put wonderful ideas into their minds with the stories. In no other way will the child absorb ideals as it will do in the form of stories. The stories told in its early childhood will remain with it all through its life. It will never forget them. Maybe that every year, as the child grows, that story will have another meaning; and so there will be a continual development of the ideal, which will become a great blessing in the life of the child. |